
Monday, April 26, 2010
CASTLE IN THE AIR

Saturday, June 20, 2009
A FRIEND AND THE CLOCK THAT STOPPED TICKING...
I cursed with extreme loathing as the clock always,invariably always sped faster from 9:30-10 on my schoolday mornings,conniving with our schoolbus;and felt nothing but disdain when it conspired with Maa and went as slow as it could just before the playful,cricket mornings of Summer vacations. Good heaven’s, the Sun at 38 degrees was just another fielder those days and heat waves-a vague term observed somewhere outside the Sports page that could be left aside for an improbable future recollection! The clock ran so fast then.
And apart from conspiring,it kept time, time that would always advance ruthlessly,never retreating,never looking back on past mistakes,never stealing a moment to make love or make hate. I remember having spent breathless minutes trying not to drop an eyelid,only to witness that divine moment when the elderly minute hand actually moved. I won’t say I did’nt try,but I could never catch the snobby little hour hand moving. Snobby little stick!
Time was omnipotent,but the clock gave me confidence that it could be tappped,that atleast we could actually,though helplessly,witness it DOING things to us and our surroundings. Thus emboldened,I wasted a precious day’s worth of Cricket and stood guard beside the open drain beneath a JABA( Hibiscus sounds ‘tash’ even for the language I dream in!) in our Para, just to watch when the little bud grew to a full bloomed flower. Though I stood a diligent guard,Time and the bud escaped me,and however much I might still blame Maa for calling me for lunch,me and Time both know,it did’nt bloom on lunchtime!
The clock kept time,and when it stopped ticking it bottled that bit of time within itself,locked forever in safety. DEATH for me is an excreta of time,that which time has left long back in its onward march. The open drains of my Para,my Para itself,my childhood all are long dead,but there is a clock that stopped ticking. That clock defied Time’s atrocious march and locked to safety my days of innocence,of newness and of SUBHO. Those were the only days when I lived in each moment,and if PRESENT be defined as the moment one lives in,my present lies in the present of the past,and my past relegated to the forgotten realms of memory. ( MY FUTURE HAS ALWAYS BEEN UNCERTAIN,AND NOW U KNOW THAT ITS NOT WITHOUT REASON :( )
My earliest memory of Subho is an open drain,and the two of us urinating,with the young morning smelling every bit of the fresh summer vacation. We were literally next door neighbours,with our homes being close enough to gossip about the latest goings on in the Para that was the World,even after the housewives were long asleep. Our home (and it was never a mere house) had a ‘ROAK’ (it was so high then,now it appears so low :( ) where we would discuss ‘state secrets’ , the most tantalising of which was the 1Rupee. A rupee was precious then,and would yield, among others,a ‘Shaal patta’ full of ambrosial achaar. The two of us buggers would occassionally ( must confess,the occasion arose quite frequently :) ) steal a coin and savour heaven,hiding in the rubble of an under-construction building. Subho was my first partner –in-crime.
During the gray exam evenings we were not allowed to call out each other and we had worked out an ingenious code to counter that. All one needed to call the other was to squeal like a KOEL!
(I held pride for this code before maa recently told me that she had worked it out since its inception :( )
Those days,there were three major ‘mobs’(as we believed) ,and the riavalry was electric. ‘Match newa’ meant playing for your pride and if by Devil’s curse anyone failed,heated rounds of allegations awaited him. Poaching and plotting for key players was so much in vogue. Our days now make such an issue of ‘TRUST’. I never consulted the dictionary for the word, the word simply means Subho for me,it meant so even before I knew the word,it’ll always mean so. Trust means Maa will never know why the odd coin went missing,trust means there will always be 1 who’ll fight when I went for 5 sixes,trust means Subho…
Friendship these days evoke images of weariness for me. Friendship almost always has cigarettes or expletives as its constant concomitants. There is such an awkward silence when the cigarettes,the gaalis,the porn and the gossip is over. I’m thankful we did’nt know “FRIENDSHIP” when we were friends. On rainy days when there would be no Cricket, on vacation afternoons when there would be no Salman, when there would’nt be so many other things ,there would be the two of us. Even the silence,of fatigue,or of plain nothing-ness would be shared with such glee. Thank God we were not ‘Friends’ ,the way I’ve been friends with everyone else since.
We never kept things from each other. A great feeling it is to have a confidant when one does’nt really have anything to confide. So I knew of the ‘chits’ that would be hidden in his socks,knew of his disappointment when not even the chits came ‘common’,forget the questions,and I’ll confess,this cheating business invariably drew a chill down my spine. How I wish I were naïve forever..
He knew of my translucent,blurred and muted feelings for Bhaswati Aunty,knew of Isha my “True Love”(!!..Hindi movies should be cursed…there is nothing as sachcha pyaar Mr. Yash Chopra) ,knew that I had secretly read Arabian Nights,and all that was worth knowing. But then he knew something that he never shared,and I’m so thankful to him for that. He knew of Birds and Bees(and their progenies) and on the day of his enlightment ,came running.But I could never coax him to divulge,the reason my sweet days of naivete was extended,the reason I had a gradual transition to manhood,and the reason I discovered the beauty and magic of the Human body with all my heart and brain(well,whatever little I have of it)
Do I want Subho back?Do I want to meet him?...No. The stopped clock gives time two times a day,and that is the time I venture discreetly to the glorious days of ‘Hide-n-Seek’,the time I rid myself of all cares of my idle mind and feel back the restless happiness of a round of “Pittoo” or “Lock and key”. To bring Subho back would be to reset the clock to motion. To bring him back would be to give in to TIME,and once again stare helplessly as HE moulds my wishes without the ME-tool.
I would never acknowledge,even at the cost of time,that my Para,My Home,and a good part of what I stood for,what I am,and what I wanted to be,is dead-left forever to rot in the excreta of time. Let the defunct clock be my Pyramid,and Subho,my Mummy.
Wednesday, April 1, 2009
LOVE... ACTUALLY/TECHNICALLY
- It has been composed really well (and I dare say this site hosts some reasonably well written articles!).
- I have personally always wanted to thank this person for a long time,and souvik did that with heart
- Finally,I'm a slave to passion and the passion that I like reflects in Souvik's writing.

Connection: Keep-Alive
User-Agent: MyHeart/4.5 [en] (x11; U, MyOS 5.8 me4u)
Host: MyHeart:8080
Accept-Encoding: Heart-Code
Accept-Language: en
Accept-Charset: iso-8859-1,*,utf-8
Dear “http://www.y12iem.com/***/1040*0602***/heart.exe”,
I know your brain doesn't recognize me. I know I haven’t still found a place in the hidden database of yours. I just want to ask why the comparator in the deepest core of my heart gives a ‘1’ at the sight of you. Why does the Lissajous figure formed in the CRO in me forms a perfect “x2+y2=r2”. Do I say, it’s a perfect romance that drives my heart at such high frequencies?
Is it the ‘0’ phase margin that makes me so feel so complete! The shortest of the wavelengths pouring out of your hidden ‘Yagi-Uda’ source bangs on to my ‘Micro-strip’, driving my demodulator to overdrive. The aliasing circuitry is lying idle, as the receiver can’t receive any other frequency.
All images appear blur as the image processing circuit has been reprogrammed to identify only one image. All image processing circuitry fail to identify any other pixels.
And now, when I try to put myself on sleep mode, the processor denies to do so. It always has a program running, hindering me to rest myself. It’s an infinite loop that flashes our name and image in my inner-eye. I know that I am infected by a virus, a virus that no antivirus can ever heal, nor can quarantine. Not that I am complaining, I know my processor is taking this burden, but I believe when this core will be ‘duo’, it will have a rest of lifetime.
I know, you will be able to decrypt this message. Every single byte I transmit has only our IP in its header, and user only our preset protocol for transmission. Please grant an authorization in your domain. I promise I will create the perfect resonance in the oscillatory circuit of your heart.
Yours ever,
Souvik
Wednesday, March 25, 2009
GULAAL-NOT JUST A COMPELLING WATCH

The taut screenplay advances in the form of a folk-play (Jatra),complete with a sutradhaar played by the music composer Piyush Mishra. The keenly composed music,based on Rajasthani folk and kotha tunes carry the story forward. The music scores in its lyrics too,penned delightfully by Piyush Mishra again. Sample this:
"Sajini ko dear bole,
Tharre ko beer bole Mange hai english boli,
Mange hai english choli
mange hai english jaipur, english bikaner
Jaise bisleri ki..
Jaise bisleri ki bottle pike bangaye english man "
Infact the character that is most consistent in the mad order of things is the supposedly slightly crazy PRITHVI BANA,whose scathing wit sees through the futile ambition of his brother.
The high point of the film is definitely its performances,with Kay Kay menon leading the pack.Raj Singh Chaudhury as Dileep Singh does well,but pales in comparison to the superlative performances delivered by the supporting cast.Special mention must be made of Abhimanyu Singh as "RANSA"-this character reveals clearly Anurag's fascination with unadulterated,raw manhood and kudos to Abhimanyu for playing the part to perfection.
The unsung heros of the film are its cameramen and cinematographer Rajeev Ravi. I remember marveling at the camerawork in David Fincher's SE7EN ,where to shoot the dark,depressed look of a crime-riddled city an entirely new concept of camerawork and cinematography was introduced. Though not as grand,But Gulaal has its own novelty with the more poignant scenes being sketched with a tinge of Gulaal-justifying the title. Gulaal,I suppose, stands for the two P's ,power and passion here.
Its really reassuring to find that Bollywood has found the right horse in its journey towards betterment and securing its due esteem in international cinema,the rider being Anurag Kashyap.
Richard Feynmann had once said:
"poets are never meant to be understood"
Anurag also meant same when he made No Smoking! But considering the tremendous outbursts of creativity Anurag's recent movies have shown,such aberrations are bound to occur. Its in this respect that the bollywood buff is reminded of a certain Mr Verma who had once made equally challenging movies like Satya,Company and Rangeela,side by side with pathetic duds like Daud,Mast,Aag... It is not to suggest that Anurag's career will follow the same checquered path as RGV's,its just an apprehension that is too tempting not to mention.
Monday, February 2, 2009
AN OPEN LETTER TO GOURAV
I was upset at being caught grieving,but i cannot thank Gourav more for that. He was willing to be my vent,vent to the absolute filth that I am. Here's my humble effort at thanking him.
---------------------------------
My dear Gourav,
Since we were taught letter-writing (class III perhaps), I have always believed the salutation and closing parts of a letter were merely perfunctory. But the "yours always" at the closure of your mail forced me to think otherwise,for the first and perhaps the only time in my life. After the step that I had taken,the sin that I had committed, and the blows that I had inflicted upon me,I desperately sought a vent. U know Gourav,the word "catharsis" has a Greek origin,and was used extensively in Greek philosophy and drama to depict an action of the protagonist that led to an emotional cleansing through a draining,rigorous experience. The past few weeks were somewhat similar,but with an anti-climax that I could'nt even dream of. But it was your mail that has actually led the catharsis to its denouement,with my tears slowing down my keyboard. I remember you do not like to be thanked formally,but the burden of gratitude is now too heavy on me. Forgive me as I say,"THANKS A LOT GOURAV".
I feared,and still do,that I would not be able to express my predicament and hence explain my action to others.But I am stunned you could comprehend my precise feelings without me speaking a word. Strange really are the ways of the ALMIGHTY; to have made people like you at all, and to have them placed among such nondescript men as me.
I had really worked hard on this. But the good thing about passion is that you don't feel the wear,because you are always WILLING to enhance your passion more. In hindsight I realize that I had slept, in a semi-conscious state ,for all of 12 hours total in a span of 3 days. But the bad thing about passion is it wears you down mentally if things are bad beyond a point. Its a lot like love. I have always been insecure about the things i love most.
You know Gourav,the initial draft of my program was so close to being perfect,yes I dare say perfect. But even after working non-stop for 3 days it remained just that-only close to perfect. It was then that my inner demons began to play havoc. So far I had not given two hoots to health,or money..but it was then that i realised that both were amiss. A sudden sense of futility,dejection grasped me. I have always considered my ego to be my best friend-but now it had been bruised badly by none else than me,and i chose to retreat. It was cowardly,yes,but it was also traitor-ly of me. You know Gourav,I have always had few but close friends,because i have always treated each friendship as a RELATION.And there I was,deserting someone equally passionate,at the time of his crisis. But I thought I was so helpless gourav...my presence could not have meant much. Out of fear i sought refuge in my retreat,trading bravery and love. You might find this an ornate subterfuge,but i really am helpless.
I have sought forgiveness of Malya,and Prahar,and I think I shall be forgiven,but I will never be able to excuse my cowardice fully,even if I achieve what I desire most.
THANKS AGAIN
YOURS INDEBTED,
Debrup
Saturday, November 29, 2008
AN ODE TO MY (L)ONLY WEAKNESS
Now here is a poem that I am not especially proud of now.It shows every sign of my limited vocabulary,and even limited prowess in poetry( not that it is much better now). But I include it here in my blog because i am proud of the fact that i used to THINK,and THINK hard at that point of time. Precocious i might have been,but then great thinkers have always been precocious ,have'nt they?( ofcourse i don't imply anything!!).
Press,press,press and finally it flows
Pleasure rolls down my mind ,body and soul
Eyes close in a moment of satisfaction
And my heart breaks for long hours of depression.
My heart,my tender heart feels oh-so-guilty
He does'nt know from inside that it's reality
The hours then follow,the dreaded hours
Of doing nothing but sitting beside the bedside chair.
" You're Addicted and Shall Be Ruined"-warns the solemn Brain
But my minor me indulges in the pleasure of this suffocating pain.
I love it so, I cannot let it go
For , catering to the world and made to like what they see
These are the moments when I find the 'me' in me.
I would love to compose a poem on the same topic in this stage of my evolution.Turbulent days they were,with me always at the epicentre of the tug-of-war between my spiritual initiations at my weak flesh.The battle still rages,but I have finally outgrown the age of tug-of-war...
Friday, October 10, 2008
Dashami..Beloved Dashami

There they come! A matador carrying the Devi and family,and another full of mirth,laughter and bollywood steps.And there comes another,and lo,yet another!..This pukur before me looks melancholy otherwise , but today is different.When I did not fake happiness,so as to say when I was a child,I envied the kids swimming here.The shining bathtime pond shimmered with rippling laughter,of kids learning to swim,of their instructors,and of the bored men and women stealing a luxurious moment before the hard,grinding day ahead.And this fascination of mine was mixed with a tinge of envy,envy of not being able to join the revelry courtesy my beloved mother!
But this revelry here is different.There ain't no heaving wet bosoms,hairy chests or shiny balds here.But the joy is wet indeed,refreshing wetness.The bored reader(u aren't bored by now? I bet) may recollect a Limca commercial with Riya Sen in the lead that was wet but refreshing wet.So is it,wet with myriad emotions,emotions that are a delectable concoction of sweet happiness and peppery sorrow of farewell. Ah...the water felt like cold piece (whatever that is supposed to mean..u will never feel if u haven't felt that!) when some mother...my mother sprinkled on us!
"Mere kalam pe zamaane ki dard aisi thi/
ke apne baare me kuch bhi nahin likh saka yaaro
....ke main zameen ke rishto se kat gaya yaaro"
-Jagjit Singh's ghazal
I don't know why I quoted that.Of course I love it but there is no reason to.But then its good sometimes to just let things happen.It is happening again.I have been disconcerted of late and have just been sane enough to notice my speech getting incoherent.Perhaps it is the ROSHKOLNIKOV effect.The irritable,haughty,on the verge of madness protagonist of DOSTOEVSKY'S epic CRIME AND PUNISHMENT has preoccupied me for the past fortnight.And I want to let it be.It happened before too, in the turbulent,experimental,beloved days of adolescence,with a Sirshendu Mukherjee novel called DURBIN. I remember stepping out of Kalighat,my beloved holy Kalighat without offering devotion to mother and sleeping alongside the beggers and an insane mother. I recollect the stink,which got used to me in a few minutes( i was the intruder here) and which i started taking in in lungfuls.It is the stink,the bare ,reddish black torso of an invalid, the frozen eyes of the insane and her dusty,rugged hair,and the peaceful siesta in the pavement-these are the fragments of a jigsaw which still form a clear picture in my mind. Its inexplicable,but that clear picture i do not visualise;it appears as a grey mist somewhere at the back of my mind.I hate oxymoron and i might be annoying you with my duality but that clear grey mist is observed in meditation.I have found all my beloved images/sounds/experiences in that form.Even Isha is to me that sensation at the back of my mind,which i cannot visualise but i don't regret cause i feel it with far greater clarity than vision in meditation.
If you have managed to endure this ordeal this far then please forgive me. I was delirius when i wrote the above but this delirium is not apologetic..it promises to come back on the next BIJAYA DASHAMI, with my mother on tow. Its a long wait till the next Dashami..but the wait is worth it.The worthy should be few and far between....
"Apne Gham ko Geet Banakar Gaa le na/
Raag purana tera bhi hai,mera bhi/
Gham ka khazanaa tera bhi hai,mera bhi..."
-Sajda(Jagjit Singh,Lata Mangheshkar)